Sadly Chris Rea will not be driving home for Christmas!!

Chris Rea: The Life, Music, and Legacy of a British Blues Rock Icon

Chris Rea is one of Britain’s most distinctive singer-songwriters, known for his smoky voice, expressive slide guitar work, and timeless songs that blend blues, rock, and soft rock. With a career spanning more than four decades, Rea has built a loyal global fanbase and left a lasting mark on modern British music.

This search engine–friendly guide explores Chris Rea’s biography, musical style, biggest songs, albums, and legacy, making it a complete introduction for both new listeners and longtime fans.


Who Is Chris Rea?

Chris Rea was born Christopher Anton Rea on March 4, 1951, in Middlesbrough, England. Raised in a working-class family, he was surrounded by everyday stories that would later shape his songwriting. Unlike many musicians, Rea did not begin playing guitar until his late teens, teaching himself after becoming inspired by blues and rock artists.

His late start did not hold him back. Instead, it gave his music a raw, lived-in quality that would become his signature.


Chris Rea’s Musical Style and Influences

Chris Rea’s sound is best described as a blend of blues rock, soft rock, and roots-inspired storytelling. He is particularly admired for:

  • His raspy, instantly recognizable voice

  • Expressive slide guitar playing

  • Lyrics that focus on travel, longing, love, and working-class life

Rea has often cited blues legends and rock pioneers as influences, but he forged a style that is uniquely his own. His music feels cinematic, often evoking images of long roads, empty highways, and quiet reflection.


Breakthrough and Rise to Fame

Chris Rea’s debut album, Whatever Happened to Benny Santini? (1978), introduced him to a wider audience. The single “Fool (If You Think It’s Over)” became an international hit, especially in the United States, where it received significant radio play.

While early success came quickly, Rea’s career truly flourished in the 1980s, when he gained creative control and refined his sound.


Most Popular Chris Rea Songs

Chris Rea has released many memorable tracks, but several songs stand out as defining moments in his career:

“The Road to Hell” (1989)

Perhaps his most famous song, “The Road to Hell” is a powerful commentary on modern life, consumerism, and social change. Its haunting melody and slow build made it an enduring classic.

“Driving Home for Christmas”

A seasonal favorite, this song has become a Christmas staple in the UK and Europe, resonating with listeners through its warmth, nostalgia, and relatability.

“On the Beach”

This smooth, atmospheric track showcases Rea’s gift for creating mood and place through music.

“Josephine”

A blues-infused love song that highlights his emotional delivery and guitar work.

“Fool (If You Think It’s Over)”

The song that introduced Chris Rea to the world remains one of his most beloved recordings.


Best Chris Rea Albums

Chris Rea’s discography is extensive, but these albums are often considered essential:

  • Water Sign (1983) – A turning point that solidified his mature sound

  • On the Beach (1986) – Atmospheric and introspective

  • Dancing with Strangers (1987) – Commercially successful and critically praised

  • The Road to Hell (1989) – His best-selling and most iconic album

  • Auberge (1991) – A fan favorite with a strong blues-rock edge

These albums helped establish Rea as one of the most reliable and respected artists of his era.


Health Challenges and Artistic Reinvention

In the early 2000s, Chris Rea faced serious health issues, including major surgery. Rather than slowing down creatively, this period led him to reinvent himself musically.

He shifted away from mainstream chart success and embraced a purer blues direction, releasing ambitious projects that reflected his personal journey and artistic freedom. Fans often regard this era as some of his most honest and uncompromising work.


Chris Rea as a Guitarist

Beyond songwriting, Chris Rea is widely respected as a guitarist. His slide guitar technique is subtle, emotional, and instantly identifiable. Instead of flashy solos, Rea focuses on tone and feel, allowing each note to serve the song.

This approach has influenced many guitarists who value expression over technical excess.


Chris Rea’s Legacy and Influence

Chris Rea’s legacy lies in his authenticity. He never chased trends, preferring to follow his instincts and personal vision. As a result, his music has aged gracefully and continues to resonate with new generations.

Today, he is remembered as:

  • A master storyteller

  • A distinctive voice in British blues rock

  • An artist who stayed true to himself

His songs remain staples on radio, playlists, and long drives—exactly where they belong.


Why Chris Rea Still Matters

In an industry often driven by hype and reinvention, Chris Rea stands out for his consistency and sincerity. His music speaks to everyday experiences—travel, reflection, love, and resilience—making it timeless and relatable.

Whether you are discovering him for the first time or revisiting old favorites, Chris Rea’s catalog offers depth, warmth, and a uniquely human touch that few artists can match.

By |2025-12-22T18:52:38+00:00December 22, 2025|Music, Nostalgia|0 Comments

Decca Dowager Duchess celebrates 90th Birthday

The History of Decca Records: 90 Years of Musical Greatness


A Supreme Legacy: The Birth of Decca Records

Decca Records officially came into being on 28 February 1929, founded in Britain with the ambition of bringing music to a rapidly changing world. Over the decades, it grew from a thriving British company into a true international recording powerhouse, earning the nickname “The Supreme Record Company.”

From the start, Decca became synonymous with excellence and diversity in music. The label’s catalogue reads like a who’s who of 20th-century talent — from Luciano Pavarotti to David Bowie, Dame Vera Lynn to Bing Crosby, Tom Jones to Billie Holiday, and The Rolling Stones to Mantovani.

Decca’s current President, Rebecca Allen, summed up the label’s enduring spirit:

“Decca Records has been the soundtrack to many historical and cultural moments… Even as we celebrate our 90th anniversary, we continue to push the boundaries and seek out artists who stand out from the crowd.”


Discovering Decca: A Personal Journey Through Vinyl

My own introduction to Decca Records came at around the age of six, when I first delved into my parents’ treasured 7-inch vinyl collection. Among the colourful 1960s labels was one that stood out — a royal blue disc bearing the unmistakable voice of a Welsh singer named Tom Jones.

Every time his voice rang from the old Dansette record player, my mum would swoon. The record was Decca’s very own, and the song was “Delilah.” Soon, I discovered more Tom Jones classics — “Green, Green Grass of Home” and “Not Responsible.” Even as a child, I noticed that the Decca Records label meant quality.

Years later, when I learned that The Rolling Stones shared the same label as Tom Jones, I couldn’t understand why my parents weren’t Stones fans too. There’s no accounting for taste.

By 1974, my passion for music had fully blossomed. Sunday evenings meant tuning in to BBC Radio 1’s Solid Gold Sixty, recording the charts on my Decca Radio Cassette Recorder (a birthday gift from Dad). For me, the Decca circle of music was complete.


The Artists That Defined Decca Records

Throughout its long and varied history, Decca has represented artists across genres — pop, classical, rock, and jazz. It has launched careers, preserved historic performances, and shaped music culture across nine decades.

🎶 Top 20 Best Songs Recorded on Decca and Deram Records

  1. The Rolling Stones – Paint It Black (1966)

  2. Tom Jones – Delilah (1968)

  3. The Rolling Stones – Satisfaction (1965)

  4. The Casuals – Jesamine (1968)

  5. Procol Harum – A Whiter Shade of Pale (1967)

  6. Alan Price – Put a Spell on You (1966)

  7. The Rolling Stones – Gimme Shelter

  8. Tom Jones – It’s Not Unusual (1965)

  9. The Moody Blues – Nights in White Satin (1968)

  10. Frijid Pink – House of the Rising Sun (1970)

  11. Lulu – Shout (1965)

  12. The Rolling Stones – She’s a Rainbow (1967)

  13. Neil Reid – Mother of Mine (1972)

  14. The Rolling Stones – Sympathy for the Devil (1969)

  15. Marianne Faithfull – As Tears Go By (1965)

  16. Cat Stevens – Matthew and Son (1967)

  17. The Zombies – She’s Not There (1964)

  18. Tom Jones – What’s New Pussycat? (1966)

  19. Honeybus – I Can’t Let Maggie Go (1968)

  20. Junior Campbell – Hallelujah Freedom (1972)


Decca at 90: Celebrating a Century of Sound

To mark its 90th anniversary in 2019, Decca Records celebrated in true style with a series of events, releases, and exhibitions across Europe. Highlights included:

  • “The Supreme Record Company: The Story of Decca Records 1929–2019” — a lavishly illustrated book chronicling Decca’s remarkable journey.

  • “Pavarotti” Feature Film — a full-length documentary directed by Ron Howard, celebrating Decca’s most famous classical voice.

  • V&A Celebration — London’s Victoria & Albert Museum hosted a Decca Day filled with live performances and family activities.

  • Reissues and Rarities — 90 physical and digital releases dropped monthly throughout the year, reviving the spirit of the label.

  • Exclusive Performances — concerts in London, Berlin, and Paris featuring Decca artists such as Fieh, Jess Gillam, J.S. Ondara, and Imelda May.

  • Record Store Day 2019 — special vinyl releases honoured the independent record shops that helped Decca’s legacy thrive.

  • Restored Bowie Videos — six early David Bowie clips from the Deram era were remastered in HD and released monthly.


The Enduring Spirit of Decca Records

From its 1929 beginnings to its 90th-anniversary celebrations, Decca Records has remained one of the most influential labels in music history. Its catalogue reflects the evolution of modern sound, its artists have defined generations, and its legacy continues to inspire new talent today.

For many — myself included — Decca is more than just a record label. It’s a soundtrack to life’s milestones, a connection between generations, and proof that great music truly stands the test of time.


Keywords: Decca Records history, 90th anniversary, British record label, The Rolling Stones, Tom Jones, Pavarotti, Decca artists, Decca Records songs, history of Decca Records.

 

 

 

By |2025-10-30T20:45:17+00:00December 7, 2019|Framed Vinyl & CDs, Framed vinyl singles, Music|0 Comments

Bros: When the Screaming Started ( The story of a Brosette )

Rediscovering Bros

I’ve only just got round to watching Bros: After The Screaming Stops, and it brought back every memory of being a devoted Brosette.

Back in the late 1980s, when Bros were at the peak of their fame, I could never have imagined waiting weeks to watch something featuring my idols. Once those pretty boys — the Goss twins, Matt and Luke, with bassist Craig Logan — burst onto the pop scene, I was a goner. I was obsessed, and I wasn’t alone. Hordes of teenage girls across the UK were as dazzled as I was by their charm, their hair, and their swagger.


When Will I Be Famous?

It all started with their debut hit When Will I Be Famous?, which reached No. 2 in the UK charts in 1987. I first heard it on a sleepover at a friend’s house and remember thinking the lead singer sounded like a girl — perhaps I was hearing the backing vocal. That song changed everything.

From that point, Bros became my world. I was convinced I’d marry Matt Goss one day. Embarrassing now, but completely true.


Brosmania and the Concert

By 1988, Brosmania had taken over. Their mum, Carol Goss, became famous herself for her kindness to fans camping outside her house.

When Bros announced a date at Whitley Bay Ice Rink, my cousin and I were determined to be there. In the days before online ticket sales, we queued outside Newcastle City Hall from the early hours. Luckily, a kind friend who “knew someone” disappeared with our cash and returned triumphantly with two tickets. We were finally going to see our heroes in the flesh.


Vinyl, Collectibles and the Joy of the Hunt

Beyond the concerts, being a Brosette was about collecting. I spent countless hours rifling through the vinyl racks at Grainger Market and Pet Sounds Newcastle searching for rare 12-inch remixes and limited-edition sleeve packs. Some of those records are still sealed in the loft today — my teenage treasures, untouched since the 1980s.

Rumour has it that the Goss brothers are working on a new record deal, so maybe those vinyl packs will be worth something after all.


Fashion and the Brosette Look

Fashion was crucial. The Brosette uniform: faded Levi 501s, black Doc Martens, and Grolsch bottle tops for laces — just like the band. I copied most of it, though I drew the line at the beer bottle tops. Even then, I didn’t know anyone who drank Dutch beer.


All Good Things End

I saw Bros live — twice — and screamed myself hoarse. My letter was even printed in the fan club newsletter (no, I’m not sharing!). But by the time the second album The Time came out, my obsession was fading.

Life moved on: university, new loves, new priorities. Bros eventually split in 1992 after releasing Changing Faces. Their debut album Push had sold in the millions; their later releases didn’t come close.


The Reunion and Aftermath

I didn’t go to the Bros Reunion at the O₂ in 2017. I wanted to preserve the memory of those perfect teenage years. But watching When The Screaming Stops later, I did feel a pang of regret. Seeing Matt and Luke together again, older and more reflective, was strangely moving.

They’ve paid a price for their fame, and it’s clear they still carry scars from those years. But if this reunion has helped them heal, it was worth it.


Legacy

Bros were more than a boy band — they were a cultural moment. For a few shining years, they defined pop fandom. Their story, from teenage hysteria to brotherly reconciliation, still resonates with anyone who ever loved a band too much.

I’ll always have a fondness for Matt, Luke, and Craig. Maybe one day I’ll finally open those sealed badge packs and play that vinyl again.


About the Author
This post was written by Polly Taylor, guest blogger at BloggerByTheSea.com. Her eclectic blog features lifestyle writing, nostalgia, and home-made recipes that are as entertaining as they are delicious.

By |2025-10-29T09:33:40+00:00February 7, 2019|Music, Nostalgia, Vinyl Records|0 Comments

Tribute bands: Why Imitation is the sincerest form of flattery

The Art of Making It Big

In the grand scheme of things, very few musicians truly “make it.” Only a handful ever reach the heights of stardom—touring the world, topping charts, and trashing hotel rooms. Those who do often inspire imitators. For every famous artist, there are dozens who dedicate themselves to recreating their music, their look, and sometimes their legend.

And nowhere is that more obvious than with Elvis Presley.


The King of Copycats

No one has inspired more impersonators than The King. According to ABC News, there are more than 35,000 Elvis impersonators in the United States alone. Around the world, countless men don blue suede shoes and grow sideburns in his honour.

In Las Vegas, Elvis remains eternal. From Viva Las Vegas Chapel to Graceland Wedding Chapel, you can still be serenaded—or even married—by the man himself, or at least by someone who looks remarkably like him.


My First Taste of Tributes

Elvis may have started the trend, but almost every major act now has imitators. During my student days, I saw Björn Again (the legendary ABBA tribute) and No Way Sis (Oasis’s best-known clone). Both were excellent.

By the mid-1990s, No Way Sis were playing nonstop across the UK and even scored a Top 40 hit in 1996. Tribute bands weren’t just novelty acts anymore—they were filling arenas.


The Rise of the Tribute Festival

Fast-forward to today, and tribute culture has gone mainstream. My father and his partner spent a weekend at the Wannasee Festival in Cumbria—three days of live music featuring “the next best thing.”

For around £45 (including camping), fans can experience The Beatles, Bob Marley, Michael Jackson, David Bowie, and Guns N’ Roses—performed by some of the best tribute bands in the business. Compare that to more than £250 for a Glastonbury ticket and it’s easy to see why the crowds keep growing.

The organisers even promote “great food and drink at real value-for-money prices” (wannaseefestival.com). Affordable nostalgia has never sounded so good.


Local Legends and Everyday Tributes

Tribute culture isn’t confined to festivals. It thrives in local venues, holiday parks, pubs, and private parties. At my local caravan park, I’ve seen “George Michael,” “Queen,” and countless bands covering classics from every decade.

These performers might not dress the part, but they’re paying the same kind of homage—keeping great songs alive and giving fans an excuse to dance.


Formerly Famous, Still Performing

Then there are the almost-famous. Singers who once graced Top of the Pops or Smash Hits but now play smaller stages. Sonia, Nathan from Brother Beyond, and many others continue to perform at holiday parks and retro festivals, still entertaining loyal fans decades after their chart days.

It’s not a fall from grace—it’s proof that music endures long after fame fades.


When Stars Pay Tribute Too

Even global superstars tip their hats to the past. Robbie Williams’ 2001 album Swing When You’re Winning paid homage to the Rat Pack era with covers of Frank Sinatra and Dean Martin classics. It was both a tribute and a commercial success, showing that even original artists love to imitate their idols.


Why Imitation Works

Tribute bands remind us that great music never dies. Whether it’s a wedding singer belting out Don’t Stop Believin’, or Bootleg Beatles recreating history note-for-note, imitation keeps those songs alive.

As the saying goes: imitation is the sincerest form of flattery. Tribute acts make a living doing what they love; fans get a nostalgic night out for a fraction of the cost. Everyone wins.

It’s not fake—it’s fandom in its purest form.

This article was written by our guest blogger Polly Taylor @ BloggerByTheSea.com

Check out Polly’s very eclectic blog……There are some very entertaining and informative articles on a diverse range of subjects & topics. For instance her home made recipes are mouth watering and delicious!!


Frequently Asked Questions

Q: What makes a tribute band different from a cover band?
Tribute bands focus on one specific artist, replicating their songs, costumes, and stage persona. Cover bands perform a variety of artists without imitation.

Q: Why are tribute festivals becoming so popular?
They offer affordable access to live music and nostalgia. Fans can experience the sound and look of multiple iconic acts in one weekend, often for a fraction of major-festival prices.

Q: Do original artists approve of tribute bands?
Many do. Tribute acts help preserve their legacy, introduce new fans to their music, and keep the hits alive long after the original tours end.


Meta Description:
“From Elvis to ABBA and Oasis to George Michael, tribute bands prove that imitation really is the sincerest form of flattery. Explore the rise of festivals, fan favourites, and musical nostalgia.”

Focus Keywords:
tribute bands, Elvis impersonators, Wannasee Festival, cover bands, ABBA tribute, Oasis tribute, Bootleg Beatles, music nostalgia, live music UK, Polly Taylor blogger

By |2025-11-10T12:34:24+00:00November 4, 2018|Music|0 Comments

Celebrating the Queen of Soul Aretha Franklin as she prepares to abdicate

On the day Madonna celebrates her 60th birthday, I find myself writing this blog article celebrating the life of Aretha Franklin.

At the time of writing, Aretha Franklin is still with us but there is a sad inevitability that her life is drawing to a close, so it is with a heavy heart that I’m preparing this obituary.

Just as Madonna’s 60th birthday is life affirming, it is very arguable that she would not have had a music life and career had female soul artists like Aretha Franklin, Dionne Warwick and Dusty Springfield not paved the way in the 1960s.

Although the Tamla Motown record label gave us black soul female stars like Diana Ross and Martha Reeves in the 1960s, they were part of girl group ensembles, The Supremes and The Vandellas respectively. But Tamla Motown artists were seen as pop stars – Aretha Franklin was the real deal, with genuine soul credentials following in the footsteps of Ella Fitzgerald, Billie Holliday and Nina Simone.

Aretha Franklin stood alone and tall as a female soul singer in the mid to late 1960s. For this reason, Aretha Franklin is the architect of modern day R ‘n’ B, which is why Beyoncé paid tribute to her the other day on stage. She forged the path for all those R ‘n’ B singers that have followed and not just the female ones.

When researching this piece, I was amazed to find the all empowering “I Say A Little Prayer” didn’t reach No1 in the UK charts when it was released in 1968 – it was No4 over here and even more surprisingly only reached No10 across the “Big Pond” in the USA. Aretha Franklin had to wait nearly 20 years for her only No1 in the UK and US, her duet with George Michael “I Knew You Were Waiting ( For Me )”.

However as the Queen Of Soul prepares to abdicate, it will be Aretha Franklin’s signature tune “I Say A Little Prayer” that we will all turn to for solace and comfort at the point of her departure. I’m sure music fans across the world will be joining me in a private or public vigil, by saying a little prayer for Aretha Franklin and her family and friends.

Thanks for the music and the memories Aretha!!

Footnote ( after Aretha’s death ):

I Say A Little Prayer for you Aretha Franklin – not because you need it now you are in a better place, but because you deserve it for all the joy you gave so many during your lifetime. You will always be the Queen of Soul.

The Wacky World of One Hit Wonders or were they?

Ah, one hit wonders. Who knew that Martine McCutcheon was at number  one for 2 weeks in 1999? Not me, until I started researching this  piece. Mercifully, I’d also forgotten Glenn Medeiros and his only hit  single, ‘Nothing’s Gonna Change my Love for You’, which held the top  spot for 4 weeks in mid-1988. That’s 4 weeks of my Top of the Pops  peak viewing time I’ll never get back. (Maybe it should have been  renamed ‘Top if the Plops’ for that 4 weeks, thinks the childish part  of my brain…)

Anyway. One hit wonders or one trick ponies, if you prefer – who can we count among their number? Some  surprised me; songs that I was sure were one-off hits for certain acts had a bridesmaid follow up. The most unexpected example, for  me, was undoubtedly Robson and Jerome. Yes, we all remember ‘Unchained  Melody’ (whether we want to or not), which was at number one for 7  weeks from May 1985, but did you know that the ‘Soldier, Soldier’  stars also had 2 other number ones, in November 1985 – for 4 weeks, no  less. They followed this with another, a year later, which was at the  peak for 2 weeks. Who knew? Not me (and I’m a Geordie, like Robson, if  that makes any difference).

Perennial wedding favourite ‘Come on Eileen’ wasn’t Dexy’s Midnight  Runners’ only number one hit, either; they’d scored another, 2 years  previously, in 1980 when ‘Geno’ spent 2 weeks at the top. I can’t  recall ever having heard that one (but I was only 6 at the time, so  perhaps that explains it).

Often, one hit wonders could be described as novelty songs. From ‘Kung  Fu Fighting’, released in the mid-1970s, via the Spitting Image  ‘Chicken Song’ of 1986. Then Right Said Fred said ‘I’m Too Sexy’ in  the early 1990s, before 1997 brought us both the ‘Teletubbies’ ditty  and ‘Barbie Girl’. Yeah, thanks 1997. All but Right Said Fred reached  the top spot; Fred had to be content with number 2.

There are a lot more where those unique anthems came from, but many  were penned for a specific reason – as a charity single, a Christmas  song or for a film. Some were written as sporting chants; others  specifically to dance to – in a very precise, strictly choreographed  pattern.

Band Aid had one of the most memorable charity singles ever, firstly  in 1984, when the original topped the chart for 5 weeks. 5 years  after, Band Aid II managed 3 weeks at the peak. The 1980s were big for  fund-raising records – USA for Africa scored a number 1 for 2 weeks  with ‘We are the World’, right in the middle of the decade. 2 years  later, in 1987, Ferry Aid managed 3 weeks at the chart’s pinnacle,  raising money in the wake of the Zeebrugge disaster, when the Herald  of Free Enterprise capsized.

More cheerily, some novelty songs were made simply to dance to –  Whigfield’s ‘Saturday Night (1984), the ‘Macarena’ in the 1990s, then  ’The Ketchup Song’ in the early noughties. All had in common that they  inspired scores of people to hit the dancefloor and throw very  specific, highly synchronised shapes.

From throwing shapes to kicking balls, some one hit wonders are still  hugely popular with sporting fans at present-day fixtures. New Order’s  1990 hit ‘World in Motion’ is still oft-heard whenever England are due  to play, as is ‘Tubthumping’ by Chumbawamba (1997). The most relevant  example right now, though, has to be 1996’s ‘3 Lions’, which recently  re-entered the UK charts during England’s most successful World Cup  campaign for decades. (I guess we can’t strictly call that a  one-hit-wonder, then.)

Some songs are released to coincide with a film in which they feature,  and can be huge hits. In 1982, ’The Eye of the Tiger’, from Rocky III,  reached number one, as did Berlin’s ‘Take my Breath Away’, from Top  Gun, in 1986. That was rapidly followed by ‘Stand by Me’ (from the  film of the same name) and ‘Nothing’s Gonna Stop us Now’ by Starship,  in 1987, from the movie ‘Mannequin’. ‘Show me Heaven’ – from another  Tom Cruise film, ‘Days of Thunder’ – scored 4 weeks at the top in the  first year of the the 1990s.

Christmas rounds off each year nicely, and also rounds off this list  of novelty song choices – although not every yuletide one-trick-pony  is particularly festive. A case in point being the acapella ditty  ‘Only You’, which grabbed the coveted Christmas numero uno in 1983. It  enjoyed 5 weeks in the spotlight, before The Flying Pickets sank into  oblivion. ‘There’s no-one quite like Grandma’ wasn’t especially  festive, either, but it was a massive surprise hit for Christmas 1980  – presumably because everyone had to buy it for their Nan. I know I  (or rather, my parents) did. The Christmas hit phenomenon has been  immortalised in novel and celluloid form as well as vinyl; Nick  Hornby’s book ‘About a Boy’ tells the tale of a man who lives on the  royalties from his father’s one and only hit tune – which fortunately  for Hugh Grant’s character – happened to be a Christmas song.

Not all one hit wonders are novelty songs, though; there are many more  which range from dire, to good and great – or even absolute classic.  This piece was inspired when I happened to hear House of Pain’s lively  anthem ‘Jump Around’ on the radio. It wasn’t a huge hit here, reaching  number 8 in 1992, although it fared better across the pond, achieving  3rd place. I love that tune and am always happy to hear it.

How songs perform, chart-wise, here in the UK isn’t always reflected  in the US Billboard. I was surprised that some lists I stumbled across  classified A-ha’s ‘Take on Me’ as a one-hit-wonder, when I recalled  those boys from Norway having successive, massive hits over here. The  animated, sketch-style video, in fact, was apparently what catapulted  A-ha to the top of the Billboard across the Atlantic.

Another song I’m pretty fond of is ‘My Sharona’, released in 1979 by  the Knack, which peaked at number 6 here, but managed to secure the  top spot stateside – another of those one hit wonders. American artist Billy Ray Cyrus had a big hit with  ‘Achy breaky heart’ both here and in the US. Although he didn’t get to  number one in either, the song endures (possibly because it’s  profoundly irritating). Cyrus’s daughter Miley, aka Hannah Montana, is  far more famous than he these days.

Some real decade-defining tracks were but one hit wonders. In the  1970s, Wild Cherry had a number 1 in the US (number 7 here) with ‘Play  that funky music’, a song that still pops up on pretty much every funk  compilation album. Synth hot-hit ‘Video Killed the Radio Star’ took us  into the 1980s, though I had to look up who even performed it (Bruce  Woolley). Toni Basil’s ‘Mickey’ was so fine in 1982, and is a tune  favoured by compilers of 80s hits albums, even though it didn’t quite  reach number one (it peaked in second place). 1982 also brought us  ‘The Lion Sleeps Tonight’, which roared for 3 weeks at number 1,  before Tight Fit disappeared into obscurity. Thankfully, some might say.

In 1983, Men at Work were ‘Down Under’ up top for 3 weeks; in ’84  Nena’s ’99 Red Balloons’ was a stratospheric, worldwide smash. 1985  brought us ‘na na na na 19’ by Paul Hardcastle, which topped the list  for 5 weeks. ‘You Spin Me Round’ only managed a week, but is very much  fondly and clearly remembered, judging by the airtime it still gets.  In fact, 1985 seems to have been THE year for one hit wonders, with  Jennifer Rush and Feargal Sharkey scoring number ones with ‘The Power  Of Love’ and ‘A Good Heart’ respectively.

By 1986 I was in the full throes of my first massive crush – on Nick  Berry from ‘Eastenders’, who hit the top spot with ‘Every Loser Wins’.  Not one that I ever hear these days, unlike ‘The Final Countdown’ by  Europe, which actually spent less time at number 1 – 2 weeks for the  latter as opposed to 3 for the former.

Rick Astley – who apparently has a new album out, right now – had a  huge 5 weeks at the top of the charts in 1987 with ‘Never Gonna Give  You Up’. Few people have forgotten him (alas, some might add). Most  will have forgotten his Stock, Aitken and Waterman peer Sonia, who had  one big hit in 1989.She’d completely slipped my mind, until I saw a  sign advertising her performance at my local holiday park a couple of  months ago…

Something of a Scottish anthem, The Proclaimers’ ‘I’m Gonna Be (500  miles)’ peaked just outside the top 10 – at number 11 – in 1988. It’s  hard, now, to believe that this song, still heard so often now, didn’t  even make the top ten. Although it made number 3 in the US – and  number 1 in New Zealand.

By the end of the 1990s, things had something of a Latin flavour, with  Ricky Martin ‘Livin’ La Vida Loca’ for 3 weeks in July 1999, swiftly  followed by Lou Bega’s ‘Mambo no. 5’ which spent a fortnight at the  top a couple of months later.

By the time we reached the year 2000, I was 26 and my interest in new  music was already waning. Simon Cowell was poised to take the music  world by storm (a dire, dark, threatening type of storm in my book, at  that). I can’t really speak of music from that point on with any  authority, so I’ll stop right here.

Suffice to say that the world of music would not be the same without one hit wonders. Better, perhaps, maybe worse; it would definitely be  different. For me, variety is the spice of life. One good song is  still a good song, and the rich tapestry of music history may well be  somewhat less colourful without those one-off hits and misses.

 

This article was written by our guest blogger Polly Taylor @ BloggerByTheSea.com

Check out Polly’s very eclectic blog……There are some very entertaining and informative articles on a diverse range of subjects & topics. For instance her home made recipes are mouth watering and delicious!!

Top 5 Best LGBT Anthems / Gay Anthems that graced Brighton Pride 2018

There was never a better time to spend a weekend by the seaside than the 4th and 5th August 2018 in Brighton. The lethal cocktail of a summer heatwave, unparalleled since 1976, and Brighton Pride 2018 meant there was only one place to be on the first weekend in August 2018. But it’s the LGBT anthems / Gay anthems that will linger longest in the memory.

However as the colour and flamboyance of the Brighton Pride 2018 parade fades and diminishes, as it inevitably will, the residue that will remain after the pomp and pageantry is incarcerated in the memory bank, will be the music soundtrack.

A cacophony of LGBT anthems / Gay anthems emanated from all the floats and vintage double decker buses, but these were the five that stood out for the Record Press author –

 

Top 5 Best LGBT Anthems / Gay Anthems that graced Brighton Pride 2018

1) Diana Ross – I’m Coming Out

This comes in at No1 as it formed part of Nile Rodgers / Chic headline set at the Brighton Pride Love BN1 Fest at Preston Park on Sunday https://www.brighton-pride.org/lovebn1-fest/ Niles Rogers co-wrote the Diana Ross classic and his gig with Chic was the perfect conclusion to the weekend.

2) Weather Girls – It’s Raining Men

This gay anthem rang out several times during the parade on a hot sultry, weekend when it was only ever going to rain men as opposed to water / H2O droplets

3) Sylvester – You Make Me Feel Mighty Real

Admittedly nostalgia has played a part for including this in the Top 5 Best LGBT Anthems / Gay Anthems as I’m old enough to remember this tune being a hit in 1978. Gay or straight, this is one of the greatest dance / disco tunes

4) Gloria Gaynor – I Will Survive

Again, gay or straight, this song empowers all that encounter it. I defy anyone to say that they don’t find the Gloria Gaynor standard uplifting and inspiring. It’s impact was immediate for me, so much so that I still remember lying in the dark in my bedroom one night in April 1979 and hearing the song for the first time on Radio Luxemburg ( Fab 208 )

5) Cher – Believe

Diva and song combine to make this one of the definitive LGBT anthems / Gay anthems

What are your favourite LGBT anthems / Gay anthems? Let us know in the Reply Box below.
You can order your LGBT anthems / Gay anthems as a framed and mounted vinyl single like the Cher “Believe” one ( to the left ). If it’s intended as a gift, it can  be personalised further with an inscribed / engraved plaque. ORDER NOW….. www.myfirstrecord.co.uk

Framed 7″ records / framed vinyl singles and framed CDs with a personalised plaque, make unique presents or original gifts for a special celebration  / special occasion i.e. a Wedding ( Wedding First Dance Song ), an Engagement Party ( Our Song ), a House Warming Party ( New Home ), a 21st, 30th, 40th, 50th, 60th Birthday ( How about the No1 song on the day of birth? ), a Silver, Ruby or Golden Wedding Anniversary, Father’s or Mother’s Day or Valentine’s Day. 

THE PERFECT PERSONALISED PRESENT @ www.myfirstrecord.co.uk

 

Poetry in music: 10 of the best song lyrics

Sometimes, I hear a song I love, but I just cannot wait to get to the  juicy bit in the song lyrics – that one-liner or verse that makes you nod your head and  sing along at the top of your voice. Its hits you right in the solar  plexus and you shout, “yes indeed!”

It can be because the lines are poetry that speak to your very soul,  or it can be simple because you love the cleverness of the word-play.  Some of my favourites, I love because they are realistic, down to  earth and sum up a particular aspect of life so aptly.

Here, pop people, are some of my top picks.

The Beatles – Penny Lane

Behind the shelter in the middle of the roundabout
The pretty nurse is selling poppies from a tray
And though she feels as if she’s in a play,
She is anyway

I love this, because it sums up the song so very well. Penny Lane is  just one street in suburban Liverpool; apart from being immortalised  in vinyl by the biggest band ever to grace the planet, it’s nothing  special. I lived in the area during my early twenties – the graduate  years – and apart from a  nice, proper local pub called The Dovedale  Towers, there is nothing else that I can clearly recall about the road.

That, though, is the point of the song. Penny Lane isn’t about anyone  or anywhere special, just day-to-day human life, with all the quirks  and the mundanities that entails. It’s just people going about their  business in one very small part of the world, yet it is poetry in  motion. Life is special – joy can be found in the smallest of daily  activities and in the pokiest corners of the globe.

INXS – Never Tear Us Apart

We could live
For a thousand years
But if I hurt you
I’d make wine from your tears

From everyday suburban life to the most fanciful of notions, now. I  mean, as if? Who would make wine from tears? My Grandad made wine out  of some odd ingredients – most memorably, dandelions – but I don’t  think even he would have considered using someone’s eye emissions as  an ingredient.

No-one lives for a thousand years either, Messrs Hutchence and  Farriss. Of course they don’t. It’s the romance conveyed by these  lines that strikes me. He wants to live with me for a thousand years!  If he hurt me, he’d actually drink my tears! It speaks of such  passion, and prior to the INXS songwriters, only Heathcliff himself,  surely, really embodied such strength of feeling. It was probably this  very intensity that led to Hutchence’s untimely death, too.

Carly Simon – You’re So Vain

You’re so vain
You probably think this song is about you
You’re so vain,
I’ll bet you think this song is about you
Don’t you?
Don’t you?

It is, though isn’t it Carly? About ‘him’ – he, who is rumoured to be  Warren Beatty, with whom Carly Simon had a fling some years ago? The  singer has since confirmed that part of the song is indeed about Mr  Beatty – but not all. On this excerpt, the chorus, she was silent.  Having dated several other high-profile men, including James Taylor  (to whom she was wed) and Mick Jagger, we can but wonder.

We’ve all known one, or more, though, haven’t we, girls? (To be fair,  the boys probably have known some, too.) Those individuals that think  everything revolves around them? Or those who are simply acutely aware  of the power bestowed upon them, having been blessed with Greek God  like looks. I’ve certainly known one of those. He was English, like me  – but it was on holiday to a Greek Island… my lips are sealed.

Oasis – Cigarettes and Alcohol

Is it my imagination
Or have I finally found something worth living for?
I was looking for some action
But all I found was cigarettes and alcohol

Cigarettes, admittedly, are less of a part of everyday life than in  decades past – simply because of a rapidly dwindling population of  smokers – but for some, the enjoyment in life could pretty much be  grimly summed up by the opening verse of this song by one of Britain’s  superbands.

You might get through day, or the week, by the skin of your gritted  teeth, but come the evening or weekend, it was playtime. Smoking and  drinking, which often led to action of another kind, on the dance  floor or in the bedroom. The very stuff of life, indeed; romantic the  notion is not, but countless human lives have actually been created on  the back of fags and booze – and many more sustained by those simple  pleasures.

Pulp – Common People

You’ll never live like common people,
You’ll never do whatever common people do,
You’ll never fail like common people,
You’ll never watch your life slide out of view,
And dance and drink and screw,
Because there’s nothing else to do.

Very much leading on from the last listing, the lyrics once again  reflect the grainy reality of survival for many folk. They dance, they  drink, they fornicate – because where else do they find pleasure in  the everyday matter of living?

I think it’s a message to the monied classes, too. If you’ll always  have back-up, then you simply cannot fail in the same way that those  without can and do. If they take a big business risk, for example,  they might lose everything and, for example, never be able to buy  their own home again, becoming reliant on others – landlords – to  house them. With family money and backing, someone more fortunate can  give things a go without the stakes being so very high.

George Michael – A Different Corner

Take me back in time, maybe I can forget
Turn a different corner and we never would have met

I love this, because it has real resonance for me and how my life has  turned out so far. I literally turned a different corner – took  another trip – earlier than planned when travelling in Australia. That  led me to a hostel in Adelaide, where I almost immediately met my  husband. It took us some years to figure it out, but here we are now,  homeowners on the sunny south coast of England, with an elderly cat  and a daughter soon due to start school.

I know for many there will not be such an extreme example, but I bet  you there are some. Who hasn’t gone to a party or even business event  and met an important person or contact, that has somehow had an impact  – huge or otherwise – on their life? Which leads me neatly onto the  next one…

Arctic Monkeys – I Bet You Look Good On The Dancefloor

Oh there ain’t no love no, Montagues or Capulets
Just banging tunes ‘n’ DJ sets ‘n’
Dirty dance floors and dreams of naughtiness!

I love loads of lines from this song, but I the clever nod to  Shakespeare’s star-crossed lovers is my favourite. The cleverness of  these lyrics belies the age of Alex Turner – who penned the ditty –  when he wrote it. He was only 20 when the album from which it came,  ‘Whatever People Say I Am That’s What I’m Not’, was released. He is  the son of two teachers though, which possibly  explains the shrewd  nod to Romeo and Juliet.

Kate Bush – Wuthering Heights

Out on the wiley, windy moors
We’d roll and fall in green
You had a temper like my jealousy
Too hot, too greedy
How could you leave me
When I needed to possess you?
I hated you, I loved you, too

This song always sends shivers up my spine. I’m not really a Kate Bush  fan, so this song bypassed me when I read Emily Bronte’s masterpiece  in my late teens. When I heard it, one day later in life, I was  suddenly blown away by how well Bush had reflected the novel so  completely in her lyrics and the music.

Cathy and Heathcliff are the absolute embodiment of the often cited  fine line between love and hate, their relationship the very  definition of tempestuous. As for the passion – wow. Just wow.

ELO – Mr Blue Sky

Hey there mister blue
We’re so pleased to be with you
Look around see what you do
Everybody smiles at you

As I write, we’re in the midst of that rarest of events in Britain – a  heatwave. The sun is constantly shining, parks and beaches are crammed  with unusually scantily clad bodies, desperate to soak up a few of  those feel-good rays during a rushed lunch break or precious,  sun-soaked day off.

The lyrics of this song just sum it up perfectly – look how happy we  are to see the sun! A blue sky, too! No wonder people used to worship  the sun; why these days a lack of sunshine is even recognised as the  cause of a specific kind of mood disorder – SAD (Seasonal Affective  Disorder).
Mr Blue – we are indeed very pleased to be with you.

 

 

This article was written by our guest blogger Polly Taylor @ BloggerByTheSea.com

Check out Polly’s very eclectic blog……There are some very entertaining and informative articles on a diverse range of subjects & topics. For instance her home made recipes are mouth watering and delicious!!

 

What are your favourite song lyrics? Let us know in the Reply Box below.
You can order a favourite song as a framed and mounted vinyl single or CD single. If it’s intended as a gift, it can  be personalised further with an inscribed / engraved plaque. ORDER NOW….. www.myfirstrecord.co.uk

Framed 7″ records / framed vinyl singles and framed CDs with a personalised plaque, make unique presents or original gifts for a special celebration  / special occasion i.e. a Wedding ( Wedding First Dance Song ), an Engagement Party ( Our Song ), a House Warming Party ( New Home ), a 21st, 30th, 40th, 50th, 60th Birthday ( How about the No1 song on the day of birth? ), a Silver, Ruby or Golden Wedding Anniversary, Father’s or Mother’s Day or Valentine’s Day. 

THE PERFECT PERSONALISED PRESENT @ www.myfirstrecord.co.uk

 

By |2018-06-28T09:02:45+01:00June 28, 2018|Music, Retro Music|0 Comments

My Super Seven Soundtracks

Our regular guest blogger Polly Taylor reflects on afternoons and evenings lost in the fantasy arena of the cinema / movies, aided and abetted by great soundtracks……

Lost Boys (1987)

Let’s face it, any album containing 2 INXS tracks was always going to  win me over. The opening duet, ‘Good Times’, sung by Michael Hutchence  and Jimmy Barnes (of Australian band Cold Chisel), is a corker. If  there’s one song that I’d love to hear performed live, it’s this one.  Not just anywhere, though – it would have to be at the Coogee Bay  Hotel in Sydney, where both the former band and the latter artist have  played in years gone by; in fact the Australian National Portrait  Gallery even has a picture of Barnes, singing on that very stage.

That will never happen now, of course – barring someone inventing a  time travel machine that works (DeLorean or otherwise), to transport  me back to 1984 (rather then 1985) when the aforementioned photo was  taken, and Hutchence was still alive.

I also love Echo and the Bunnymen’s ‘People are Strange’ and the theme  tune ‘Cry little Sister’. All the tunes are good, with no sign of  filler tracks whatsoever. They evoke the kitsch horror of the movie  perfectly; the motion picture and accompanying soundtrack in perfect  harmony.

Grease (1978)

I know, I know – from the cool as Lost Boys to the super cheesy  Grease? You have a point, but hear me out. If you’ve ever been a  teenage girl – and there’s fairly good odds that you might have been,  at some stage – you should understand. Singing your heart out to the  jolly ditties ‘Summer Nights’,  ‘We go Together’, or ‘You’re the One  that I Want’; the grittier (and dirtier) ‘Greased Lighting’; or the  slushy, soppy song that is ‘Hopelessly Devoted’ – it’s all part and  parcel of female puberty and frankly, an essential rite of passage.

Trainspotting (1996)

From Rydell High School to the grubbier parts of Edinburgh now, for  what is possibly THE film soundtrack of the 1990s. Released right in  the midst of the dance club and Britpop band ‘Madchester’ era, this  film was huge, making massive stars of director Danny Boyle and actors  including Ewan McGregor and Robert Carlyle. Jonny Lee Miller was even  married to the mighty A-lister Angelina Jolie back then.

The track list reads like a Who’s Who of the mid-1990s – Blur,  Sleeper, Primal Scream, Leftfield, New Order, Pulp, Elastica… even the  ‘Godfather of Punk’ Iggy Pop has two tracks on there. Lou Reed’s  ‘Perfect Day’, used as it is in the film, is pure genius. If you think  it glorifies drug-taking, just keep watching, until the very bitter  end, of this groundbreaking movie.

 

The Beach (2000)

Phew. From the frenetic, gritty backstreets of the Scottish capital to  a tropical paradise. ‘The Beach’ is set on a picture postcard Thai  island, boasting the most pristine peach of a beach. Things gradually  start to sour, though, until the benign ‘cancer in the corals’ of Alex  Garland’s novel turn malignant. The clear blue waters become sullied  by blood, and the islanders begin to lose their grip on their Utopian  universe. The soundtrack fits both the film and the book beautifully,  from ‘Pure Shores’ to ‘Spinning away’, ‘Brutal’ and ‘Out of Control’.

 

 

Romeo and Juliet (1996)

This modern take on Shakespeare was released the same year as  Trainspotting, and despite being a love story, it also shines a light  on the grimier side of life. Mostly filmed in Mexico City and Boca del  Rio (also in Mexico), parts were also shot in Miami; a city almost as  infamous for its seedier side, as it is renowned as a sunbaked holiday  spot.

Romeo and Juliet is a tragedy, after all. Some songs are, as you might  expect, all ‘Young hearts run free’; while ‘Kissing you’ seems like  something of a lament. My favourite is the Wannadies’ ‘You and Me  song’, and not only because I once spent a crazy evening with one of  my backpacking chums, literally jumping up and down on the floor like  kids on a bed in a Sydney flat-share. We caused the manager of the  block to hammer on our door and tell us to belt up. Perhaps not my  finest hour, but it was one of the funniest…

The Doors (1991)

I first watched ‘The Doors’ film some months before the mad half hour  in Sydney had even happened, on a farm in South Australia near the  Murray river, where I spent a few happy months picking apricots,  scoffing peaches and mixing (for a change) with real Australians.

Atmospheric is the word that springs to mind; both for the film and  for the Doors’ musical output, ‘Riders on the Storm’ being the  ultimate – but not the only – case in point. ‘Light my Fire’ is of  course a veritable anthem, although it is ethereal, as opposed to  downright eerie, which I find ‘Riders on the Storm’ to be. Eerie isn’t  a bad thing; I love a bit of gothic horror, and the Doors could  deliver that in spades through their songwriting and performance. Not  to mention the trance-like, hypnotic quality of much of their music.

Val Kilmer, previously known to me as ‘Iceman’ in Top Gun, was  brilliant and a thoroughly convincing Jim Morrison, and his Top Gun  co-star Meg Ryan nailed it, too. Great film, intriguing story and a  fabulous soundtrack to boot.

Dirty Dancing (1987)

The release of this perennial girls’ film favourite coincided  agreeably with my entering my teens – I was 13 when it came out. I was  developing physically, and mentally, was starting to discover the  power of a serious crush. All the girls, in 1987, had a crush on  Patrick Swayze, but it wasn’t only his hip-swivelling that gripped our  hearts (and nether regions). The movie’s music was utterly  captivating, too.

I must point out, at this juncture, that the edition you want – if you  so desire – is ‘Ultimate Dirty Dancing’, rather than the ‘Original  motion picture soundtrack’. The latter omits Solomon Burke’s ‘Cry to  Me’, for one thing – the very song to which Johnny and Baby finally  get it on. A heinous crime (the omission, I mean, not the getting it  on).

‘Do You Love Me’ is missing, too – the very song that plays, right  there in that oversized barn-type place, where the whole love story  begins and we first see some proper dirty dancing. Otis Redding is  even disregarded, which is, frankly, unforgivable. ‘Ultimate Dirty  Dancing’ is one of my top picks; what a shame the bigwigs saw fit to  omit some of the most seminal tracks from the official version.


 

This article was written by our guest blogger Polly Taylor @ BloggerByTheSea.com

 

 

A favourite romantic film, framed and mounted, makes a unique wedding gift for the bride and groom or alternatively an original birthday present for your girlfriend / wife. You can personalise it with an inscribed / engraved plaque…… 

ORDER NOW…….. www.myfirstrecord.co.uk/

 

By |2018-05-09T09:43:55+01:00May 9, 2018|Film, Framed DVDs, Movies, Music, Nostalgia|0 Comments

Kenny Rogers’ international appeal & storytelling transcends his Country & Western roots

Recently the Record Press author posted a BBC article on social media announcing that Kenny Rogers had sadly been forced to cancel the remaining dates on his Farewell Tour due to ill health and then I thought little more of it……

A few hours later I returned to Twitter and Facebook, to be inundated by over a thousand responses to the sad news that Kenny Rogers had been forced to prematurely bow out of his final encore on the road. The fact that people on both sides of the “Big Pond” ( aka the Atlantic Ocean ) felt compelled to comment & convey not only shock and sadness but good wishes, demonstrates the love, affection and high esteem with which Kenny Rogers is held in throughout the world.

This in turn made me re-examine my relationship with Kenny Rogers. Like many in the UK, we were first introduced in the early summer of 1977  through a mutual friend, Lucille. The song “Lucille” stayed in the charts having peaked at No1 for many weeks, but the resonance of the sad story of the father and “four hungry children” she abandoned, lived on much longer in our hearts and minds. What Kenny Rogers proved in that moment and on that 7″ vinyl single was that not only was he a great vocalist, but also a great story-teller and raconteur.

My love of Kenny Rogers was cemented in 1979 and 1980 when he released the beautiful, poignant and moving ballads “She Believes in Me” and “Lady”, the latter a No1 in the USA. He also reached No1 in the USA in 1983 when he teamed up with good friend Dolly Parton with the classic duet “Islands in the Stream”.

Kenny Rogers has also had two No1s in the UK – the aforementioned “Lucille” in 1977 and “Coward of the County” two years later in 1979. Interestingly the two songs are great examples of storytelling as is “The Gambler”.

The news that Kenny Rogers’ health may be failing, possibly heralding the end of his active musical career, focussed my mind sufficiently for me to realise how much of a significant part Kenny has played in my life and the soundtrack of that life. So much so, that I have compiled this Record Press Top 5 Best Kenny Rogers Songs –

Top 5 Best Kenny Rogers Songs

 

1) Lady ( No12 1980 )

2) She Believes in Me ( No42 1979 )

3) Islands in the Stream ( No7 1983 )

4) Lucille ( No1 1977 )

5) The Gambler ( No22 2007 )

 

What are your favourite Kenny Rogers songs? Let us know in the Reply Box below.

Fans of Kenny Rogers can order your favourite song as a framed and mounted vinyl single like this one ( to the left ). If it’s intended as a gift, it can  be personalised further with an inscribed / engraved plaque. ORDER NOW….. www.myfirstrecord.co.uk

Framed 7″ records / framed vinyl singles and framed CDs with a personalised plaque, make unique presents or original gifts for a special celebration  / special occasion i.e. a Wedding ( Wedding First Dance Song ), an Engagement Party ( Our Song ), a House Warming Party ( New Home ), a 21st, 30th, 40th, 50th, 60th Birthday ( How about the No1 song on the day of birth? ), a Silver, Ruby or Golden Wedding Anniversary, Father’s or Mother’s Day or Valentine’s Day. 

THE PERFECT PERSONALISED PRESENT @ www.myfirstrecord.co.uk

 

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